top of page

Christopher teaches historical oboes at the Koninklijk Conservatorium Den Haag, the Koninklijk Conservatorium Brussel (KCB) and at the Sibelius Academy (Helsinki University of the Arts).

PUBLICATIONS

 

Berlioz’s Lost Oboe: The Simple-System Oboe in France, 1815–50”, Journal of the International Double Reed Society, vol. 47, n°2 (2024), p. 119-139.

 

An Oboe from the Belle-Époque: A Late Romantic model by Lorée”, Journal of the British Double Reed Society, vol. 137 (Spring 2024), p. 22-25.

 

Un hautbois de la Belle Époque : un modèle Lorée daté 1883”, La Lettre du Hautboïste, n°50 (juillet 2024), p. 35-43.

Recording Bruckner on Period Instruments” (co-authored with Stefaan Verdegem), Journal of the International Double Reed Society, vol. 47, n°3 (2024), p. 27-28.

A Widening Gap: Playing Historically-Appropriate Oboes in Performances of 19th-century Music”, chapter in "The Historical Oboe: Current State of Research, Contemporary Practice and Perspectives", ed. Geoffrey Burgess & Katarzyna Pilipiuk, The Krzysztof Penderecki Academy of Music (Krakow, 2026), pp. 185-199.

CONFERENCE PAPERS

 

The Galpin Society, University of Oxford (UK) - June 2024

Conference: Materiality and the Meaning of Musical Instruments

Paper: "The Forgotten Last Generation of the Simple-System Oboe in France"

 

The Krzysztof Penderecki Academy of Music, Kraków (Poland) - February 2024
Conference: The Historical Oboe: Current state of research, contemporary practice, and perspectives
Paper: "Berlioz’s Lost Oboe: The Last Generation of the Simple-System Oboe in France"

Sydney Conservatorium of Music, The University of Sydney (Festsaal, Vienna, Austria) - June 2019
Conference: Correct, but not beautiful performance II
Paper: "Henri Brod and Oboe Playing in Early Nineteenth-Century France"

Conservatoire National Supérieur de Danse et de Musique de Lyon (France) - December 2017
Conference: Le hautbois en France de la période pré-révolutionnaire au Premier Empire              

Paper: "Henri Brod's 1826 Méthode"

MASTERCLASSES

Recent teaching collaborations have included masterclasses at:

- The Guildhall School of Music & Drama (London, UK) 

- The Haute École de Musique de Lausanne (CH)

- McGill University (Montreal, Canada)

- The Melbourne Conservatorium of Music (Australia)

bottom of page